Remix Theory: The Aesthetics of Sampling Publisher: Springer Vienna Architecture; 2012 edition (October 1, 2012) Language: English 230 pages Remix Theory: The Aesthetics of Sampling is an analysis of Remix in art, music, and new media. Navas argues that Remix, as a form of discourse, affects culture in ways that go beyond the basic recombination of material. His investigation locates the roots of Remix in early forms of mechanical reproduction, in seven stages, beginning in the nineteenth century with the development of the photo camera and the phonograph, leading to contemporary Remix culture.
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